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Winter Pop Preview
(WILLIAMSTOWN, Mass., Jan. 5, 2001) -- January is usually a slow time in
the music business. Promoters are typically afraid of bad weather, and
post-holiday hangovers tend to keep audiences at home.
But Club Helsinki, the little-Great Barrington-nightclub-that-could,
isn’t skipping a step. In fact, it’s running headlong into the new year with
a schedule of performances that rivals the likes of anything ever seen in
the Berkshires and stands shoulder-to-shoulder with any but the top
nightclubs in much larger towns and cities.
Club Helsinki kicks off its 2001 season tonight with local
folk-rocker Michael Haynes. Tomorrow night Helsinki hosts roots-rock band
Tarbox Ramblers. This Boston-based quartet plays a raw, gritty style of
music rooted in the juke joints of the Mississippi Delta and the front
porches of Appalachia, music that is at once pre-rock and post-punk,
informed by folk, blues, and country -- the missing link among Screamin’ Jay
Hawkins, Hank Williams, Howlin’ Wolf, Spider John Koerner and Wilco.
As heard on the band’s haunting, eponymous debut on Rounder, its seamless
blend of guitar-driven string-band tunes, novelty numbers, field hollers,
swing, blues, jug-band, rockabilly and hillbilly songs includes old-style
originals, traditional numbers like “Stewball” and “St. James Infirmary,”
and versions of songs by the likes of Charlie Patton, Bukka White and the
Memphis Jug Band.
The guitar-fiddle-bass-drums quartet, formed in Cambridge in 1994,
effortlessly connects white and black traditions in a manner that belies its
post-modern origins. Or, as leader Michael Tarbox told one interviewer, “I
want to put folk music back in the barrooms where it really belongs.”
Also coming to Helsinki are modern funk outfit Soulwork next Thursday and
Katryna and Nerissa Nields, the sister-duo that fronts the folk-rock band
The Nields, next Friday night. (They will also be at North Adams State
College on Jan. 20.)
Helsinki continues to present the best of the Berkshires alongside the best
touring acts on the club circuit, and on January 18 Pittsfield native Adam
Rothberg celebrates the long-awaited release of his fabulous new CD, “All
the Whispering” (more on that album in next week’s column). Fellow
Berkshirites Robby Baier, Bobby Sweet and Dave Lincoln will be on hand to
help Rothberg kick off his solo career in style. For a sneak preview, you
can catch Rothberg tonight at Mother Earth Café in Albany or tomorrow night
at Fire and Water Café in Northampton.
Progressive funk-rockers Gruvis Malt are at Helsinki on January 19, followed
by New Orleans blues band Big Al and the Heavyweights on January 20. The
six-piece Chicago Rhythm and Blues Kings hold forth on January 25, followed
by progressive roots-rockers Dreadnaught on January 26 and soul outfit
Mother’s Favorite Child on January 27.
Looking ahead to February and beyond, performers coming to Club Helsinki
include rocker Paul Cebar (Feb. 1), reggae group Princes of Babylon (Feb.
2), world-rockers Babaloo (Feb. 3), Ulu (Feb. 15), and local blues phenom
Albert Cummings (Feb. 16.), who will also be warming up the crowd for B.B.
King at Northampton’s Calvin Theatre on January 14. Soul-blues keyboardist
Ron Levy returns to Helsinki (Feb. 17) as will Red Beans (Feb. 23).
Singer-songwriter Cliff Eberhardt will bring his wry, introspective wit and
catchy melodicism to Helsinki on March 2, followed by gospel soul group the
Holmes Brothers (March 3), reggae group the Black Rebels (March 10),
pop-folk singer-songwriter Steve Forbert (April 27), husband-and-wife
country-rock royalty Buddy and Julie Miller (May 17) and blues
singer-songwriter Chris Smither (June 1).
Helsinki is not the only place to hear live music in the Berkshires this
winter, although there are not many other shows that have been announced
yet. In Williamstown, the Clark Art Institute continues its
unfortunately-named “Saturday Night Jazz” series with Afro-Cuban dance band
Bobby Sanabria and Quarteto Ache on January 13, progressive-klezmer group
The Klezmatics on Feb. 17, and funk-groove guitarist Charlie Hunter on March
24.
Also in North County, at the Massachusetts Museum of Contemporary Art in
North Adams, spoken word artist Everton Sylvester returns with his
improvisational jazz trio, Searching for Banjo, on Jan. 16. Brazilian band
Nego Gato will supply the samba rhythms at Mass MoCA’s Brazilian Carnival
Dance Party on Feb. 24, and Living Colour guitarist Vernon Reid and vocalist
Nona Hendryx, perhaps best known as a member of ‘70s soul-vocal group
LaBelle, headline a multi-media tribute honoring the Talking Heads on the
20th anniversary of the group’s trailblazing album, “Remain in Light.”
Other events at Mass MoCA of potential interest to music fans include
“Imagenation,” an all-day “multimedia jam salon” highlighting the culture of
the African diaspora (Feb. 24), dancer/choreographer David Neumann’s “Dance
in Two Parts,” including “So That You Could See Us Coming,” a collaboration
with Laurie Anderson (March 10), and performance artist/poet Tracie Morris,
who works with blues, ambient, hip-hop and jazz soundtracks (March 24).
Back in Williamstown, the Boston-based Yiddish-swing group, the Klezmer
Conservatory Band, will perform in Chapin Hall at Williams College on Jan.
14, and the third annual Jazztown festival will take place on April 20 and
21, featuring violinist Regina Carter and the Vanguard Jazz Orchestra,
respectively. Other events will presumably be announced soon (unless the
folks at Jazztown stick to their secretive ways of past years).
There is some life in Pittsfield, in spite of that city’s best efforts to
suppress any signs of such. Singer-songwriter Bill Morrissey will headline
the second annual Pittsfield FolkFest, presented by Galaxy Entertainment
this year on March 10 at Berkshire Community College’s Koussevitzky
Performing Arts Center. Also scheduled are Jess Klein, Sarah Lee Guthrie and
Bobby Sweet.
[This column originally appeared in the Berkshire Eagle on Jan. 5, 2001.
Copyright Seth Rogovoy 2001. All rights reserved.]
Seth Rogovoy rogovoy@berkshire.net music news, interviews, reviews, et al.
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