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Milagro Saints at Dream Away Lodge, Aug. 21, 1998 by Seth Rogovoy
(BECKET, Mass., Aug. 22, 1998) -- It was a perfect combination of artist
and venue on Friday night, when the Raleigh, N.C.-based quintet Milagro
Saints brought its singular brand of catchy, mystical folk-rock to the
mystique-laden Dream Away Lodge.
In the same way the ramshackle, funky Dream Away oozes character -- each
room presents an entirely different aesthetic seemingly from an entirely
different era, somehow all tied together through some incomprehensible inner
logic -- so does the Milagro Saints’s music take a listener through
jarringly comfortable juxtapositions, however paradoxical that might seem.
On the surface, the yin and yang of Milagro Saints are the vocalists. Lead
singer, songwriter and guitarist Stephen Ineson is a carnal presence,
visually recalling the lead singer of the movie group The Commitments.
Performance-wise, he descends from the Van Morrison school of ecstatics --
one part church, one part soul man. His voice is his own, a spoken mumble at
the bottom, a Dylanesque, nasal drawl in the mid-range, a Smokey
Robinson-like falsetto on top.
Ineson’s counterpart is the blonde, ethereal Joyce Bowden. A veteran of the
downtown New York scene revolving around Talking Heads offshoot groups
including Casual Gods and Tom Tom Club, Bowden seems anything but, seated
during the show amidst a pile of exotic percussion instruments, guitars and
a clarinet which sounds like anything but one when she plays it, lending the
music more of a flute-like, Celtic air.
It’s the dance between Ineson’s earthy vocals and Bowden’s heavenly echo
that gives the group its signature stamp, along with the folky textures and
catchy melodies augmented by Lee Kirby on keyboards and harmonica and the
sharply-defined rhythms laid down by bassist Ernie Jamison and drummer
Robert Shi.
The group drew heavily from its new, eponymous debut CD on MoodFood Records,
ranging from melancholy ballads such as “Beautiful and Strange” to upbeat
tunes including “Mystic Elevator” and “Lightgiver” that have at least as
much going for them as any hit by Counting Crows. The musicians also played
a few new tunes that might show up on their next album, songs which while
rooted in the Milagro’s distinctive style suggested the group might be
moving in a more edgy direction. And nodding to the Dream Away’s own cache
of musical history, the band rendered a fiery version of the Rolling
Thunder-era Dylan staple, “One More Cup of Coffee.”
Berkshire-based singer-songwriter Robby Baier warmed up the crowd with a
selection of his own, enticing soul-folk ballads from his solo CD, “Soul
Tube.”
The evening began with the assembled crowd feasting on a luscious buffet
dinner. The Dream Away has reopened this summer under new management, which
has very carefully retained the unique aura of this historic nightspot while
breathing into it new vitality. Although Dream Away has always proudly worn
the moniker “in the middle of nowhere” -- and indeed that’s exactly where
you will find it -- it is worth the adventure for the food, the music or the
ambiance alone.
Seth Rogovoy rogovoy@berkshire.net music news, interviews, reviews, et al.
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